Setenta's Apollo Solar Drive - A Captivating Fusion of Latin Funk and Jazz

Setenta’s Apollo Solar Drive is a vibrant, dynamic album that showcases the band's rich 20-year legacy of blending Latin rhythms with funky jazz. Released in 2024 by Latin Big Note, this CD offers an exceptional listening experience, with influences of Latin music intertwined with jazz-funk grooves.

The music shines with the unmistakable Fender Rhodes, Minimoog, and Clavinet work from Florian Pellissier, a jazz veteran known for his remarkable keyboard skills. The album’s instrumental setup is further elevated by a lush array of acoustic percussion, including congas, timbales, guiro, and shekere, creating an irresistible fusion of rhythmic and melodic textures. These instruments, paired with the experimental and spacey moments from the keyboards, bring a unique dimension to Setenta’s sound.

Each track on Apollo Solar Drive transports listeners into a groove-heavy, sunlit atmosphere, with standout titles like "Danzon De Planetas," "Apollo Solar Drive," "Madame Shingaling," "Liberame," "Tambu," and "Yambuspection." The mix of tight rhythms, intricate percussion, and funky jazz elements makes this album a standout release in Setenta’s extensive catalog.

Whether you're a longtime fan of the band or new to their music, Apollo Solar Drive is a must-have for those who appreciate Latin jazz fusion with a contemporary twist.

Ingrid Laubrock’s Purposing The Air: A Poetic and Musical Journey Through Emotion

Releasing April 11, 2025 on Pyroclastic Records – A Boundary-Defying Double Album

Innovative composer and saxophonist Ingrid Laubrock returns with an ambitious and groundbreaking project, Purposing The Air, set for release on April 11, 2025, via Pyroclastic Records. This double album, inspired by the poetry of Erica Hunt, explores the intimate connection between language and sound through a collection of 60 brief but evocative koans. Laubrock’s creative genius shines as she curates four vocal-instrumental duos that breathe life into Hunt’s words, each pairing offering a unique interpretation of the poet’s poignant themes.

A Unique Collaboration Between Music and Poetry

Purposing The Air features Laubrock’s deep engagement with the voice, following her earlier work Contemporary Chaos Practices (2018), which blended orchestra and choir. However, this project marks a more intimate approach, blending her distinctive saxophone compositions with the powerful poetry of Erica Hunt. The centerpiece of the album is Hunt’s “Mood Librarian – a poem in koan,” a thought-provoking work made up of short, often cryptic lines that evoke a vast spectrum of emotions and moods.

Laubrock’s decision to work with living poets stems from her dedication to contemporary compositions. After meeting Hunt at a mutual friend’s home, Laubrock felt an immediate connection and decided to set Hunt’s words to music, forging a new path that integrated poetry with her expansive musical style.

The Duos: Masterful Pairings of Voice and Instrument

The album showcases the versatility of Laubrock’s compositions, brought to life by four exceptional duos, each carefully chosen for their chemistry and ability to bring the poems to life:

1. Fay Victor and Mariel Roberts – A new pairing of vocalist Fay Victor and cellist Mariel Roberts, whose collaboration brings a fresh depth to the compositions.

2. Sara Serpa and Matt Mitchell – The dynamic duo of vocalist Sara Serpa and pianist Matt Mitchell, whose intimate musical rapport highlights the emotional nuances of the koans.

3. Theo Bleckmann and Ben Monder – Veteran collaborators Theo Bleckmann (vocals) and Ben Monder (guitar), whose extensive history together creates a seamless, sophisticated interplay.

4. Rachel Calloway and Ari Streisfeld (Duo Cortona) – Mezzo-soprano Rachel Calloway and violinist Ari Streisfeld, known for their intricate performances as Duo Cortona, bring an unmistakable intimacy to the project.

Each duo interprets a unique selection of Hunt’s poetic fragments, allowing Laubrock’s compositions to breathe through a variety of voices and instrumental textures. By tailoring each koan to the distinct sound of the duo, Laubrock explores the intricate balance between structure and improvisation, offering a fresh perspective on contemporary music.

Laubrock’s Approach: A Fusion of Emotion and Innovation

As an experimental saxophonist and composer, Ingrid Laubrock has long been celebrated for her boundary-pushing musical explorations. Known for her work with luminaries such as Anthony Braxton, Muhal Richard Abrams, Jason Moran, and Myra Melford, Laubrock’s approach to Purposing The Air marks a new phase in her career. Writing for duos without the opportunity to direct the music from the inside was a unique challenge, as Laubrock explains: “You have to be more concise in what you write and construct. Writing for these duos was all about trying to find ways of letting two musicians interact and figuring out the possibilities of their instruments while still allowing my personal creativity to shine through.”

The title Purposing The Air is drawn from the lyric of the penultimate piece, performed by Duo Cortona: “birds purpose the air / as you purpose / pen and paper.” This metaphor suggests the delicate process of composition—transforming written notes into vibrations that resonate in the air, carrying meaning and emotion. Laubrock imagines the album as a space where Hunt’s poems float freely, with just enough space between each piece to allow for reflection before the next poetic moment arrives.

A Deep Dive into Poetic Music

Laubrock’s mastery lies in how she balances compositional rigor with the freedom of improvisation, giving each duo the space to infuse their personal style into the pieces while remaining true to the emotional core of Hunt’s work. The 60 koans, each a brief yet profound exploration of human experience, are as elusive and specific as the music that accompanies them, creating a powerful emotional resonance for the listener.

As Laubrock explains, “The texts of the poem are open and concise, often cryptic, but still poignant and relatable. Some I connected with immediately and viscerally, while others were more like evocative images or fun impressions. They really lend themselves to the song form in my mind.”

Ingrid Laubrock: A Visionary of Contemporary Music

Ingrid Laubrock’s commitment to pushing the boundaries of jazz and contemporary composition has earned her accolades from some of the most respected voices in the music world. Described by The New Yorker as a “fully committed saxophonist and visionary,” Laubrock has spent years creating innovative, genre-defying works. Purposing The Air is another testament to her unique ability to combine complex soundscapes with deeply human emotion, making it an album that resonates across multiple musical and cultural realms.

Pre-Order Purposing The Air Today

Don’t miss out on this one-of-a-kind musical journey through the evocative poetry of Erica Hunt, curated and composed by Ingrid Laubrock. Purposing The Air is available for pre-order now and will be released on April 11, 2025. Whether you’re a fan of contemporary jazz, experimental music, or poetry, this album is sure to leave a lasting impact.

Bennie Maupin’s The Jewel in the Lotus: A Timeless Masterpiece of Modern Jazz

Coming May 16, 2025 – A Classic from 1974 Reissued by ECM

Prepare to rediscover a hidden gem of modern jazz with the upcoming reissue of Bennie Maupin’s The Jewel in the Lotus, set for release on May 16, 2025, through ECM Records. Originally recorded in 1974, this album is a remarkable testament to the creativity and musical ingenuity that defined the era. Featuring an ensemble of stellar musicians, including Herbie Hancock, Buster Williams, Billy Hart, and more, The Jewel in the Lotus has long been considered an unsung classic, and now, it's set to captivate a new generation of listeners.

A Brilliant Convergence of Jazz Legends

Bennie Maupin, a master saxophonist and reed player, has made significant contributions to some of jazz’s most iconic albums, including Miles Davis’s Bitches Brew, Herbie Hancock’s Mwandishi and Headhunters, and Marion Brown’s Afternoon of a Georgia Faun. However, Maupin’s own solo work has been sparse, making The Jewel in the Lotus even more special. Released initially as ECM 1042, the album stands out as a milestone in Maupin’s career, showcasing his inventive approach to jazz.

On this album, Maupin is joined by a who’s-who of jazz innovators:

• Herbie Hancock (piano, electric piano)

• Buster Williams (bass)

• Frederick Waits (drums, marimba)

• Billy Hart (drums)

• Bill Summers (percussion)

• Charles Sullivan (trumpet)

This dynamic ensemble, drawn from Hancock’s inner circle during the 1970s, creates a uniquely cohesive sound that blends the influences of avant-garde jazz, modal improvisation, and complex rhythmic structures. Each player contributes to the overall tapestry, creating an album that feels like a collective expression of artistic vision.

The Sound of Selflessness: A Masterpiece of Jazz Fusion

Released in 1974, The Jewel in the Lotus was hailed by DownBeat as a “selfless album,” with the review emphasizing the way in which the musicians seamlessly blend their voices, creating an organic and powerful sound. The album’s title itself evokes a sense of purity and mysticism, and the music reflects this ethos with its intricate yet meditative qualities.

Pitchfork recently described The Jewel in the Lotus as “an unsung modernist classic,” and indeed, the album’s ethereal quality and advanced harmonic structures were ahead of their time. The performance is marked by long, introspective passages, punctuated by vibrant solos and complex interactions between the players. Maupin’s reeds and glockenspiel work is mesmerizing, interwoven with Hancock’s inventive piano and electric piano arrangements, which create both a spacious atmosphere and a driving sense of energy. The rhythmic interplay between Waits and Hart adds depth and dimension, with percussionist Bill Summers and trumpeter Charles Sullivan enriching the overall texture.

A Timeless Contribution to Jazz History

While The Jewel in the Lotus was largely overshadowed by some of the more well-known projects of the 1970s, it has gained recognition over time for its uncompromising artistic vision and innovative approach to jazz fusion. Its blend of experimentalism and accessibility makes it a timeless classic that continues to influence musicians and jazz aficionados alike.

The reissue of The Jewel in the Lotus is an essential addition to any jazz collection. Whether you're a lifelong fan of Bennie Maupin or discovering this masterpiece for the first time, the album offers a powerful reminder of the creativity and spirit that defined an era of groundbreaking jazz.

The Personnel: A Legendary Lineup

• Bennie Maupin – Reeds, Voice, Glockenspiel

• Herbie Hancock – Piano, Electric Piano

• Buster Williams – Bass

• Frederick Waits – Drums, Marimba

• Billy Hart – Drums

• Bill Summers – Percussion

• Charles Sullivan – Trumpet

About Bennie Maupin

Bennie Maupin is a renowned saxophonist, clarinetist, and flutist who has been an influential figure in the jazz world for decades. Known for his work with Miles Davis, Herbie Hancock, and other legendary musicians, Maupin’s distinctive sound and visionary approach to improvisation have made him a key figure in the development of modern jazz. His contributions to albums like Bitches Brew, Mwandishi, and Headhunters have solidified his reputation as one of jazz's most innovative and influential musicians.

Matthew Muñeses and Riza Printup's "Pag-Ibig Ko Vol. 1": A Beautiful Tribute to Filipino Love Songs

Saxophonist Matthew Muñeses and harpist Riza Printup have teamed up for a captivating new project, Pag-Ibig Ko Vol. 1, set for release on April 4, 2025, through Irabbagast Records. This stunning album takes listeners on an elegantly lyrical journey through Filipino love songs, known as kundiman, capturing the raw emotion and national pride embedded in this traditional music. The album showcases the simple yet profound beauty of Filipino love ballads, with a unique pairing of saxophone and harp that elevates the timeless melodies.

A Journey into the Heart of Filipino Music

Pag-Ibig Ko Vol. 1, which translates to "My Love" in Tagalog, is the follow-up to Muñeses' 2022 album Noli Me Tángere, which explored Filipino heritage through the music inspired by national hero José Rizal. The saxophonist's deep connection to his Filipino roots is central to both albums. While Noli Me Tángere focused on Rizal’s musical influence, Pag-Ibig Ko Vol. 1 expands the exploration into the rich world of kundiman, an art form born from the Philippines' Spanish colonial history. These songs, often written in Tagalog, are direct expressions of love and longing, making them the perfect material for Muñeses and Printup to interpret.

The Power of the Kundiman

As Muñeses reflects, kundiman lyrics are notably different from those in love songs from other cultures. “In kundiman, the lyrics are much more direct,” he says. “They say exactly what they feel: ‘I love you,’ or ‘You’re as beautiful as the moon,’ or ‘You make me feel alive.’ It’s an honesty that immediately drew me in, and I knew they would be beautiful to play with harp.”

Having met Printup nearly a decade ago at a Filipino jazz event in California, Muñeses knew that her deep sensitivity to Filipino music, combined with her exquisite harp playing, would bring a special quality to this collaboration. Printup, who grew up with kundiman and understands the genre’s cultural nuances, was the perfect musical partner for this project.

A Rich Repertoire with Filipino Love Classics

The album features a diverse selection of songs by some of the Philippines' most beloved composers. Two songs from Noli Me Tángere—“Kundiman Ni Rizal” and “Canto de María Clara”—are revisited, alongside kundiman classics such as “Dahil Sa Iyo” by Miguel Velarde Jr. (a song that has been popularized by Nat King Cole and Jerry Vale), as well as compositions by Constancio de Guzman, Ernani Cuenco, Nicanor Abelardo, and Dolores Patero. The album beautifully blends these iconic Filipino love songs with the jazz influence that Muñeses is known for, creating a fresh, emotional interpretation of the kundiman tradition.

The Art of Playing with Harp and Saxophone

The unique combination of harp and saxophone shapes the sound and phrasing throughout the album. Muñeses notes that working with harp was an exciting challenge, as it differs greatly from the typical duo setup with piano. “Harp is a delicate, percussive instrument,” he explains. “The rebound and recoil of the sound made for a much more fluid experience. I’m used to playing intense, driving music, so this felt like the opposite—more serene and reflective.”

This change in approach allowed Muñeses to focus on subtlety and expressiveness, bringing out the emotional depth of the kundiman songs.

A Personal and Patriotic Journey

Both Muñeses and Printup are first-generation Filipino Americans, and their connection to this music is not only artistic but also personal and patriotic. In a time when anti-Asian sentiment has risen in the United States, Muñeses sees this project as a way to celebrate and take pride in his Filipino heritage. “This music represents a unique perspective on what the ‘American dream’ means to those of us who are not native-born,” he reflects.

Encouraged by his mentor, saxophonist Miguel Zenón, Muñeses took on this project as a way of asserting pride in his roots and contributing to the broader conversation on cultural identity through music.

About Matthew Muñeses

Matthew Muñeses is a Chicago-based saxophonist, composer, and educator. With a background in classical violin and saxophone, Muñeses has led bands at renowned venues like Chicago’s Green Mill, Andy’s Jazz Club, and Los Angeles’ Catalina Bar & Grill. His passion for education shines through in his teaching roles at St. Charles North High School and Waubonsee Community College. Muñeses’ debut album, Threshold, and his sophomore release, Noli Me Tángere, have received critical acclaim for their unique blend of jazz and Filipino heritage.

About Riza Printup

Riza Printup is an accomplished harpist, composer, and educator with an extensive career that includes performing with legendary musicians like Kenny Werner, Marcus Printup, and Paquito D’Rivera. She is known for her versatility and unique approach to jazz harp, having performed with the Jazz at Lincoln Center Orchestra and contributed to various collaborative projects. Printup’s passion for education extends to her authorship of children’s books and her development of educational programs for young musicians.

Final Thoughts

Pag-Ibig Ko Vol. 1 is a breathtaking fusion of Filipino cultural heritage and modern jazz, a collection of love songs that transcend time and borders. Muñeses and Printup’s heartfelt interpretations breathe new life into the kundiman, inviting listeners to experience the beauty, passion, and emotional depth of Filipino music through the evocative pairing of saxophone and harp.

Hyldon Shines in "Jazz Is Dead 23," a Cosmic Fusion of Brazilian Soul, Jazz, and Funk

Released as part of the Jazz Is Dead series, Jazz Is Dead 23 – Hyldon presents a collaboration that blends Brazilian soul with jazz, funk, and cosmic grooves. Hyldon, a Brazilian soul legend who made waves in the '70s, lends his distinctive vocals to this project, marking an impressive continuation of his artistic journey. The album is a reflection of Hyldon's enduring relevance in the music scene, with a sound that stays true to his roots while experimenting with more complex musical landscapes.

A Unique Fusion of Brazilian Soul and Jazz

Adrian Younge, the renowned composer and producer behind Jazz Is Dead, takes on a major role in the album’s musical direction. Younge’s involvement is crucial, as he provides a rich, atmospheric backdrop with his mastery of various instruments. He plays Fender Rhodes, Hammond B3 organ, guitar, and alto saxophone, creating a blend of jazz-funk and soul that perfectly complements Hyldon’s vocal style. Younge's ability to fuse these genres gives the album a dynamic range, from sultry grooves to more introspective moments.

The presence of Ivan Mamao Conti, the legendary drummer from Azymuth, further elevates the album. Conti’s rhythmic contributions bring a signature groove that is unmistakably Brazilian, deepening the album’s rhythmic and textural layers. His beats, a perfect mix of funk and samba, serve as the driving force behind many of the tracks, allowing the fusion of jazz and Brazilian soul to come alive in vivid, intricate ways.

An Homage to Hyldon's Legacy

While Hyldon is most famously known for his classic 1970s Brazilian soul hits, Jazz Is Dead 23 is an expansion of his sound. Unlike the more straightforward soul music of his contemporaries, such as Tim Maia, Hyldon’s approach is far more ambitious. This record channels the complexity and musical depth of other Brazilian giants like Marcos Valle and Arthur Verocai. His songwriting here takes on a refined, layered quality that showcases both his evolution and the depth of his artistic vision.

The titles on the album reflect Hyldon’s nostalgic connection to Brazil, with evocative tracks like “Jenipapo Robo,” “Favela Do Rio De Janeiro,” and “Verao Na California.” These titles not only capture the essence of Brazilian culture but also express a more universal longing, blending social commentary with introspective musings. The atmospheric track “Viajante Do Planeta Azul” (Traveler from the Blue Planet) is a notable example of the album’s more cosmic, spiritual elements, bringing a fresh air of otherworldliness to the traditional Brazilian soul sound.

Track Highlights:

• Jenipapo Robo: An upbeat, groovy track that blends Hyldon’s soulful vocal delivery with Younge’s dense, atmospheric instrumentation.

• Favela Do Rio De Janeiro: A gritty, soulful number that highlights Brazil’s vibrant, but often harsh realities, with Conti’s percussion giving the track a driving force.

• Verao Na California: A mellow track that contrasts the warmth of Brazilian summer with the cool breezes of California, illustrating Hyldon’s ability to blend cultures through music.

• Um Lugar Legal: A reflective song that creates a lush, intimate atmosphere, showcasing Hyldon’s softer vocal qualities.

• Viajante Do Planeta Azul: A track that leans into cosmic soul, with intricate instrumental passages creating a celestial feel.

• O Cacador De Estrelas: A dreamy, atmospheric tune that reflects Hyldon’s visionary approach to songwriting.

Album Formats

In addition to the CD, Jazz Is Dead 23 – Hyldon is available in vinyl formats, including a standard LP  and a limited edition yellow vinyl pressing. These vinyl releases allow collectors and fans of the artist to experience the album in its full analog glory, bringing out the warmth of the soulful and jazzy elements even more effectively.

Lynne Arriale’s Uplifting Tour Celebrates the Release of Being Human – A Musical Reflection on Unity and Hope

Tour Dates: April 23 – June 7, 2025 | Featuring Stops in Seattle, Oakland, Ventura, Durham, New York City, and Lakeland

Internationally acclaimed pianist and composer Lynne Arriale is set to tour the United States with her trio, performing music from her stunning and thought-provoking album, Being Human. The tour will take place from April 23 to June 7, 2025, with performances across major U.S. cities including Seattle, WA, Oakland, CA, Ventura, CA, Durham, NC, New York City, and Lakeland, FL. Being Human is Arriale's 17th album as a leader, and it features a powerful suite of 10 original compositions that explore the shared human qualities that unite us all.

An Inspirational Suite of Music Celebrating Humanity

Being Human is a deeply emotional and uplifting album, written in response to the divisions and turmoil in the world. As Arriale explains, “The music focuses on qualities we all share that define our humanity. I hope this album will be uplifting and convey a sense of unity and optimism.” Many of the tracks are dedicated to figures who embody passion, courage, and resilience, including climate activist Greta Thunberg, National Youth Poet Laureate Amanda Gorman, and Nobel Laureate Malala Yousafzai.

Critics have lauded the album’s ability to uplift and inspire. All About Jazz praised Being Human as “a sure high-water mark” for Arriale, noting that the album sheds “warm light upon the gamut of the pianist’s innumerable powers.” DownBeat described the music as “both beautiful and mysterious,” further highlighting the deep emotional impact of the album’s narrative.

Tour Highlights: Performances Across the U.S.

Lynne Arriale’s upcoming tour will feature her dynamic trio with Alon Near on bass and Alon Benjamini on drums. The performances will showcase the compositions from Being Human while also highlighting Arriale’s unparalleled virtuosity as a pianist and bandleader.

Tour Dates and Locations:

• April 23 & 24 – Mainstage Theater, The Triple Door, 216 Union St, Seattle, WA (7:30 PM)

• April 25 – Piedmont Piano Company, 1728 San Pablo Avenue, Oakland, CA (5:30 PM)

• April 26 – The Grape House of Jazz and Spirits, 2733 E Main St, Ventura, CA (8:00 PM)

• May 2 & 3 – Durham Jazz Workshop, 4608 Industry Ln, Durham, NC (Times vary)

• May 6 – Klavierhaus, 790 11th Ave, New York, NY (7:00 PM & 8:30 PM)

• June 7 – Polk Museum of Art, Lakeland, FL (7:00 PM, free entry)

Being Human reflects a broad spectrum of human emotions, from love and joy to resilience and persistence. As described by iconic pianist Richie Beirach, Being Human is “an important, stunningly beautiful, powerful musical and spiritual statement.” He adds, "Lynne recognizes the tough realities of the world we live in, but she chooses to highlight the positive in us."

Lynne Arriale: A Visionary in Contemporary Jazz

Hailed as “one of the most exciting pianists in contemporary jazz” by The Guardian (UK), Lynne Arriale’s contributions to the jazz world have been celebrated for decades. Arriale has performed on prestigious international stages, from Montreux to the Kennedy Center, and her albums have consistently topped the JazzWeek Radio Charts.

Her music speaks to the heart, blending intensity and sensitivity, joy and sorrow, strength and gentleness. Her compositions are deeply emotional and crafted with unparalleled invention, making her one of the most compelling voices in modern jazz. With Being Human, Arriale once again showcases her extraordinary skill as a composer and pianist, creating a musical journey that resonates deeply with listeners.

A Timely and Powerful Message for Our Times

In a world increasingly defined by division and polarization, Being Human offers a poignant reminder of the shared qualities that make us human. The album celebrates those who embody love, hope, and unity, and its compositions serve as a call to action for a more compassionate and connected world.

Lynne Arriale’s latest album and upcoming tour invite listeners to reflect on the power of music to heal, unite, and inspire.

Brian Culbertson Brings “The Trilogy Tour: Live from Detroit” to Fans in 4K Ultra HD + Blu-ray and Two-Disc CD on April 11

Renowned multi-instrumentalist and chart-topping artist Brian Culbertson is set to release his latest concert film, The Trilogy Tour: Live from Detroit, on April 11. Available in stunning 4K Ultra HD + Blu-ray and as a two-disc CD, this release captures the electrifying energy of Culbertson’s highly anticipated The Trilogy Tour, offering fans an immersive experience of music and visuals like never before.

Brian Culbertson’s Spectacular Concert Production

As one of the few jazz artists who can consistently deliver extravagant, visually spectacular, and thrilling concert experiences, Brian Culbertson has created an unforgettable show with The Trilogy Tour: Live from Detroit. Known for his musical versatility, songwriting prowess, and role as a producer, Culbertson has released 40 Billboard No. 1 hits over his storied career. His latest project, The Trilogy, came to life over two years with input from fans who joined him in his weekly online series, The Hang. This collaboration resulted in 30 new songs across three albums, each with a distinct emotional theme: Red, Blue, and White.

The The Trilogy Tour, a 70-show U.S. trek, culminated in a final performance at Detroit’s MotorCity Casino in March 2024. This concert, which forms the centerpiece of The Trilogy Tour: Live from Detroit, features a 17-song setlist showcasing songs from all three albums, along with Culbertson's signature hits. The concert is a visual masterpiece, blending state-of-the-art lighting and effects with masterful choreography to create a truly sensory journey.

A High-Energy Show with Immersive Visuals and Powerful Music

Filmed by renowned director Robert Hubbard, The Trilogy Tour: Live from Detroit is more than just a concert film. It’s a sensory experience, with vibrant melodies, lush harmonies, funky grooves, and extended solos bringing the audience into the heart of the performance. The band—comprised of Culbertson on keyboards and trombone, along with Darnell “Showcase” Taylor (guitar), Eddie Miller (keyboards/vocals), Chris Miskel (drums), Rishon Odel (bass), Michael “Patches” Stewart (trumpet/flugelhorn), Ronnie Gutierrez (percussion), and Walter English III (keyboards/vocals)—delivers an electrifying show that keeps the energy high throughout.

“I knew this tour would be something special, and the music pushed it into another space,” says Culbertson. “It’s more than just a ‘hits’ show—it has a narrative arc and a story that’s told through music and visuals.”

The The Trilogy Tour premiered in March 2023 in Providence, Rhode Island, and ended in Detroit a year later. Culbertson used every performance leading up to the final show to fine-tune the production, ensuring the last concert would be the most polished and thrilling of all.

Premiere Events for The Trilogy Tour: Live from Detroit

Fans can get an exclusive first look at The Trilogy Tour: Live from Detroit during two premiere events. On April 6, the film will debut at the GoggleWorks Center for the Arts as part of the Berks Jazz Fest in Reading, Pennsylvania. Following that, fans worldwide can enjoy the film during a livestream event on VEEPS on April 10 at 8 p.m. ET/7 p.m. CT/5 p.m. PT.

A Creative Vision Realized

Culbertson’s creative vision for the The Trilogy Tour was to create a multi-sensory experience, blending captivating music with dazzling visuals. “The response from everyone—from the band at rehearsals to fans at the shows—was the same: ‘That was an experience,’” says Culbertson. “I’m thrilled that the film will allow people to experience the journey we took on tour whenever they want.”

Tracklist for The Trilogy Tour: Live from Detroit

1. Prelude

2. Stars

3. Summer Hideaway

4. The Hangout

5. Sandcastles

6. Time Flies

7. Feel The Love

8. Let’s Go

9. Always Remember

10. Eyes Closed

11. Dance With Me Tonight

12. A Love Lost

13. You Are My Everything

14. Colors Of Love

15. Funkin’ Like My Father

16. Play That Funky Music

17. On My Mind

18. Stars (reprise)

About Brian Culbertson

Brian Culbertson’s journey to stardom began with his debut album Long Night Out in 1994, recorded in his college dorm room. Over the years, he has become a dominant force in contemporary jazz, amassing 28 albums that span genres from jazz to funk, acoustic jazz, and new age music. His upcoming studio album, Day Trip, set for release in late September 2025, promises a jazz fusion edge and features collaborations with top musicians like Branford Marsalis, Randy Brecker, Marcus Miller, and Sheila E.

The Trilogy Albums: A Fan-Centric Creation

The songs that make up The Trilogy were born from Culbertson’s innovative livestreaming sessions on The Hang, where he composed and recorded music in real-time with fan feedback. The three albums, released between October 2021 and May 2022, explore different emotional themes: Red (sexy and romantic), Blue (melancholy and uplifting), and White (hopeful and inspiring). Each album’s distinctive sound and mood come to life on The Trilogy Tour: Live from Detroit.

Saxophonist and Composer Hillai Govreen to Release New Album "Every Other Now"

Hillai Govreen, a dynamic clarinetist and saxophonist based in New York, is set to release her highly anticipated album Every Other Now on June 20th, 2025. The recording, showcasing Hillai's bold musical vision, features a stellar lineup of musicians including Noah Stoneman (piano, Rhodes), Eden Ladin (piano, synth), Steve Cardenas (guitar), Ben Meigners (bass), Eric McPherson (drums), and Café Da Silva (percussion). Greg Glassman (trumpet) also makes a special appearance on track 8.

This collection of original compositions reflects Hillai’s rich musical journey and her ability to bridge traditional jazz with an innovative, streetwise sound. From the opening notes, listeners will feel the raw energy and deep emotional resonance that defines Hillai's artistry.

About Every Other Now

The album opens with an electrifying intensity, where the musicians' spontaneous improvisations create a visceral connection with the audience. Hillai Govreen explains, "The first time I heard this music performed live, I knew something special was about to happen. The audience recognized it too—they were on the edge of their seats, anticipating the unexpected." This infectious energy and authenticity is central to Every Other Now, a recording that blends passionate, intuitive playing with intricate, detailed musicianship.

In the album, Hillai’s compositions speak to the uncertainty and emotional depth inherent in the artist’s life. She notes, “Uncertainty brings doubts and emotions to the foreground, where it becomes grist for the mill. This music is real—it’s not about being perfectly rational or precise. It’s about being spontaneous, raw, and true to who we are.”

A Unique Approach to Composition

Hillai Govreen believes that composing original works is a deeply personal process. “An original song is like your own child,” she reflects. “You nurture it, shape it, and teach it.” The musicians who contribute to Every Other Now bring their unique voices to each track, resulting in a powerful and memorable listening experience. As Hillai puts it, "Nothing is lost in the pursuit of originality. It’s about the work that comes from research, hard work, and commitment."

About Hillai Govreen

A native of Israel, Hillai Govreen began her musical journey at the age of 6, first learning classical piano before switching to the clarinet at age 12. She attended The New School for Jazz and Contemporary Music, graduating in 2020 with honors. There, she studied under renowned musicians such as Anat Cohen, Chris Cheek, and Reggie Workman.

Hillai’s career spans several continents, having toured across India, Europe, Israel, and the U.S. She has performed at some of New York's most iconic jazz venues including Dizzy's Club, Smalls, and Birdland. She is also an endorsing artist for P. Mauriat clarinets and saxophones.

Her debut album Allusions (2021), a duet with pianist Nitsan Kolko, showcased Hillai's unique approach to jazz improvisation. The upcoming release Every Other Now marks a significant evolution in her sound, with a band of exceptional musicians and compositions that reflect her growth as an artist and composer.

A New Sound on the Horizon

Every Other Now promises to be a standout release in Hillai Govreen’s already impressive career. The album mixes powerful improvisation with intricate compositions, marking a bold next step in her journey. Fans of adventurous jazz and original compositions won’t want to miss this release.

Kim Waters: "Time 2 Groove" – A New Era in Contemporary Jazz

Kim Waters, a chart-topping saxophonist renowned for his contributions to Contemporary Jazz, has long been a driving force in music. His unmistakable tone, smooth melodies, and masterful fusion of Jazz, R&B, Blues, and Pop have earned him a loyal fanbase and numerous accolades throughout his three-and-a-half-decade career. A Maryland native now based in Georgia, Waters' musical journey has led him to collaborate with icons such as Al Green, Isaac Hayes, Patti LaBelle, and Gerald Albright, among many others.

"Music Brings Us Together" – The Philosophy of Kim Waters

As Kim Waters reflects on his career, he states, “The one thing in the world that people cannot discriminate, argue or bicker about is music. Music brings people together, fosters camaraderie, and is essential for peace, joy, and happiness.” His admiration for the power of music runs deep, and it’s this love that fuels his career, shaping the soundtracks of generations. Waters attributes much of his success to his early influences, which include saxophone legends like Sonny Stitt, Cannonball Adderley, Charlie Parker, Stanley Turrentine, and his friend Grover Washington Jr. For him, the saxophone is about romance, beauty, and the purity of melody.

"Time 2 Groove" – The Highly Anticipated New Album

Kim Waters’ new album, Time 2 Groove, set to release on April 11, 2025, is packed with original compositions and shows off his incredible skills on the alto and soprano saxophones. This is Waters’ first album recorded after the COVID-19 pandemic, marking a return to normalcy for the artist and allowing him the freedom to record and tour without restrictions.

The opening track, The Pacemaker, blends funk and Go-Go music influences with energetic, infectious grooves. Waters recalls his deep-rooted connection to the Go-Go sound, saying, “That Go-Go vibe will never die. There’s something about that groove that makes people move.” The album features collaborations with renowned pianist and producer Chris "Big Dog" Davis, whose work with artists like George Clinton and Maysa brings a distinct flavor to tracks such as Sax You Up and Palm City, the latter evoking the essence of a serene beach getaway.

Emotional Ballads and Heartfelt Tributes

Two standout tracks on Time 2 Groove are deeply personal for Waters. A Pure Heart (For My Mother) is a tender tribute to his mother, Brenda, whose enduring love and wisdom have shaped Waters' life. The soulful, emotional ballad is an outpouring of love and reverence, bringing a tear to the eye with its heartfelt phrasing.

Another standout track, Their Smile (Song For My Twins), celebrates his twin daughters, Kayla and Kimberly. This joyful R&B number highlights the special bond between father and daughters, with Waters expressing how his children have taught him the true meaning of love. “They have brought me so much joy,” he shares, “and have taught me just how important it is to say ‘I love you’ and to listen sincerely.”

The Sound of Love and Legacy

As the album progresses, Waters showcases his versatility with a hypnotic reinvention of The Isley Brothers' classic, I Once Had Your Love (And I Can’t Let Go), and the title track, Time 2 Groove, which carries a signature blend of funk and jazz, reminiscent of the legendary Blackbyrds. The album concludes with Just A Thought, a track where Waters explores improvisation and musical expression, showing off his creative depth and technical prowess.

A Legacy of Chart-Topping Albums

With over two dozen successful albums, including Love’s Melody, From The Heart, and Rhythm and Romance, Kim Waters continues to set the bar for Contemporary Jazz. Time 2 Groove is just the latest addition to his impressive body of work, further solidifying his place as a leader in the genre. Waters hopes his music will inspire the next generation of musicians and keep the genre alive. He praises icons like George Benson and Herbie Hancock for staying relevant and evolving with the times, something he strives to do as well.

A Philosophy of Balance and Self-Belief

Beyond his music, Waters lives a balanced and peaceful life. He credits his ability to stay grounded to his unwavering belief in himself and his philosophy of “it is what it is.” Waters also enjoys the therapeutic nature of landscaping, an outlet that helps him maintain his Zen-like approach to life.

Final Thoughts

As Kim Waters prepares to release Time 2 Groove, he remains a beacon of inspiration, both as an artist and a person. His unrelenting passion for music, his love for his family, and his commitment to evolving while staying true to his roots are the pillars that define his legacy in the world of Contemporary Jazz.

Rosettes Unveil Their Debut Album 'Lifestyles': A Psychedelic Soul Journey

Helsinki-based band Rosettes are making waves with their highly anticipated debut album Lifestyles, dropping on April 4th, 2025, via Timmion Records. This 10-track LP takes listeners on a vibrant journey through the realms of psychedelic soul, jazzy funk, and introspective grooves. A beautifully complex blend of old-school charm and modern flair, Lifestyles promises to be a transformative experience for fans of soul, funk, and R&B.

A Sonic Journey Through Time and Sound

Drawing inspiration from iconic musical legends such as Cymande, SAULT, and Sade, Rosettes masterfully merge vintage soul and contemporary vibes, creating an album that feels timeless yet fresh. Lead vocalist Tytti Roto's emotive voice takes center stage, guiding the listener through deeply personal lyrics and stunning musical landscapes. Whether it's the soulful opener The Call, the Isaac Hayes-inspired Lifestyles, or the introspective Spirals, each track offers a distinctive mood while remaining rooted in a cohesive musical journey.

The band’s eight-piece lineup skillfully weaves together intricate horn arrangements, cinematic instrumentals, and infectious grooves that are as sophisticated as they are raw. From lush rhythms to electrifying moments of musical freedom, Lifestyles creates a space where groove and emotion collide.

Early Praise and Critical Acclaim

Before the official release, Lifestyles has already garnered support and praise from major music outlets. Huey Morgan from BBC 6 Music, KCRW's Morning Becomes Eclectic, NTS’ Louise Chen, The Bandcamp Weekly, and Shindig! Magazine are just a few of the early adopters who have championed the album’s unique sound and vision.

Standout Tracks

• The Call: A soulful introduction that sets the tone for the album’s rich and emotionally engaging sound.

• Lifestyles: The title track, a nod to Isaac Hayes, channels smooth, cinematic funk with a deep groove.

• Spirals: A captivating, introspective track that showcases Rosettes’ ability to blend thought-provoking lyrics with infectious rhythms.

• The Queen: The album's only instrumental track, evoking the vibe of 1970s blaxploitation soundtracks with wah-wah guitars and jazzy shifts.

Genre-Defying and Groundbreaking

With Lifestyles, Rosettes are setting themselves apart as a band that thrives on genre-blending and exploration. From the groove-heavy beats to the sophisticated instrumentation, each track offers something unique, offering an engaging experience for fans of adventurous soul and funk music. This debut LP promises to be one of the most exciting releases of 2025.

Blue Note Jazz Festival 2025: Full Lineup

The iconic Blue Note Jazz Festival is back for its 14th edition, running from May 27 to July 2, 2025, at top venues across New York City. This year’s festival promises an unforgettable musical experience, featuring 40 incredible artists spanning genres from jazz, soul, and hip-hop to funk, rock, and everything in between. Notably, the festival will be headlined by a once-in-a-lifetime collaboration between Grace Jones and Janelle Monáe, bringing together two powerhouse performers in one unmissable show.

Throughout the festival’s 5-week span, attendees will enjoy a diverse range of performances across eight renowned venues, including Blue Note, Sony Hall, SummerStage in Central Park, BRIC’s Celebrate Brooklyn, The Town Hall, and National Sawdust. Expect 64 concerts showcasing top talent and exciting collaborations.

The festival kicks off on May 27 with a 100th birthday celebration for jazz legend James Moody at Sony Hall, featuring a lineup of jazz greats like Randy Brecker, Terri Lyne Carrington, and Christian McBride.

Notable performances during the festival include appearances from Branford Marsalis, Marcus Miller, Santigold, Savion Glover, The Soul Rebels, Azymuth, and many others. Kenny Garrett, Emily King, and Chuck Prophet & Cumbia Shoes will also make their mark on the festival, while Azymuth and Rebirth Brass Band are set to bring their distinct sounds to the stage.

The lineup further includes special performances such as the "Forever Ray" tribute, and the highly anticipated performances by Warren G with Chris Rob, Louie Vega & The Elements of Life, and more.

Full Schedule Highlights:

• May 27: James Moody 100th Birthday Celebration @ Sony Hall

• May 29-31: Kenny Garrett @ Blue Note

• June 1-2: Chuck Prophet & Cumbia Shoes @ Sony Hall

• June 9: Grace Jones & Janelle Monáe @ Celebrate Brooklyn Prospect Park

• June 13-14: THE REVERENCE PROJECT featuring John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note

• June 20: Joshua Redman @ Blue Note

• June 27-29: Savion Glover featuring PROjECt.9 @ Blue Note

• July 2: Dora Morelenbaum @ Sony Hall

Citrus Sun & Incognito Announce Exciting 2025 Tour Dates – A Must-See Live Music Experience!

Citrus Sun and Incognito are back on the road, bringing their exceptional live performances to cities across the globe in 2025. From South Africa to Japan, Europe, and beyond, these legendary bands are ready to thrill audiences with their soulful, energetic sounds. Here’s a breakdown of their upcoming shows, new dates, and all the details you need to experience these incredible live performances.

Citrus Sun – 2025 Tour Dates

April 2025

NEW DATE!

• Fri, 25 April - Cape Town International Jazz Festival, South Africa

May 2025

Citrus Sun Japan Tour 2025

• Thu, 1 May - Umeda Club Quattro, Osaka, Japan

• Fri, 2 May - Blue Note Tokyo, Japan

• Sat, 3 May - Blue Note Tokyo, Japan

• Sun, 4 May - Blue Note Tokyo, Japan

• Mon, 5 May - Blue Note Tokyo, Japan

Special Event:

• Mon, 5 May - Jazz for Children - 14:30 Show (3-18 years old, half price)

• Fri, 23 May - Baltic Soul Weekender, Weissenhauser, Germany

• Sat, 31 May - Seoul Jazz Festival, Seoul, Korea

June 2025

NEW DATES!

• Sat, 7 June - Soultasia, Maldon, UK
  (Super Early, Early Birds, First Release & VIP SOLD OUT – Second Release on sale now!)

• NEW DATE! Wed, 18 June - London, UK - Details to be announced soon

• Tue, 24 June - Terral @ Teatro Cervantes, Malaga, Spain

• NEW DATE! Sun, 29 June - Mangia Resort, Brucoli, Italy - Details to be announced soon

• Mon, 30 June - Teatro Romano di Fiesole, Firenze, Italy

July 2025

• Tue, 1 July - Casa Del Jazz, Rome, Italy

• Wed, 2 July - Teatro Romano di Ferento, Viterbo, Italy

• Fri, 4 July - Senigallia in Jazz, Ancona, Italy - Details to be announced soon

• Sun, 6 July - The Brit Fest, Cheshire, UK

• Sat, 12 July - Hamptons Jazz Food & Drink Fest, St. Albans, UK

• Wed, 16 July - Jazz am Fluss, Erlangen, Germany

August 2025

• Thu-Sun, 14-17 August - We Out Here, Dorset, UK
  (Early Birds/First Release SOLD OUT, Second Release on sale now!)

October 2025

• Wed, 15 October - Live with Orchestra @ Barbican, London, UK

November 2025

• Wed, 15 November - Leverkusener Jazztage, Leverkusen, Germany

January 2026

NEW DATE!

• Sun, 18 January - Soul Power, Skegness, UK

Why You Can’t Miss Citrus Sun & Incognito in 2025

With their captivating performances and infectious rhythms, Citrus Sun and Incognito offer a musical journey like no other. Whether it’s the smooth jazz vibes of Citrus Sun or the upbeat grooves of Incognito, these bands know how to deliver an unforgettable live experience. From intimate club performances to grand festival stages, they’re bringing their unique sound to cities around the world, including new stops in Japan, South Korea, Germany, Italy, and more!

DeeAnn Kicks Off 2025 with New Music and Major Accolades, Releases New Single "Simply Beautiful"

After the success of her sultry 2024 breakthrough single “Stay Here With Me,” DeeAnn continues to gain momentum in 2025, marking an exciting new chapter in her career. The talented singer/songwriter has already earned significant recognition in her hometown of Buffalo, New York, at the 10th Annual JazzBuffalo Music Greats Poll. DeeAnn was awarded Jazz Female Vocalist of the Year, receiving the most votes for her 2023 album “It’s My Time.” She also earned runner-up honors for Most Memorable Performance and the prestigious John Hunt Jazz Artist of the Year Award.

DeeAnn's "Simply Beautiful" — A Soulful Reimagining of Al Green's Classic

As she rides this wave of success, DeeAnn is preparing to release her much-anticipated single “Simply Beautiful” on April 4th, 2025. This track not only celebrates her growth as an artist but also brings a fresh, sensual twist to Al Green’s iconic 1972 hit from his “I’m Still in Love with You” album. With its deep soul and bluesy undertones, “Simply Beautiful” showcases DeeAnn's vocal mastery and her evolving sound, which marks a dynamic step forward in her musical journey.

“This song embodies everything I’m feeling right now—optimism, beauty, and pure emotion,” DeeAnn shares. "I was immediately drawn to it, especially after working with Ted Perlman, who has become a key part of my musical evolution." Perlman, a renowned producer with a remarkable career spanning over five decades, is behind the production of “Simply Beautiful.” He’s worked with legendary artists such as Burt Bacharach, Whitney Houston, Diana Ross, and Bob Dylan, bringing his experience and distinctive style to this collaboration.

A Powerhouse Collaboration with Ted Perlman

Working with Perlman has been a transformative experience for DeeAnn. Known for his exceptional work with major artists across genres, Perlman’s unique approach to production and his emotionally charged electric guitar work bring a new depth to DeeAnn's sound. The single was recorded at renowned studios like Highway 70 Sound and Station West in Nashville and Intercoastal Sound in West Palm Beach, Florida. DeeAnn and Perlman were joined by an all-star lineup of musicians, including Jody Nardone on piano/organ, Jonathan Nixon on bass, and Brian Czach on drums, among others.

“The energy in the studio was electric. We nailed ‘Simply Beautiful’ in a single take,” DeeAnn recalls. “The musicians were on fire, and Ted truly understood my voice. He listened to my previous work and crafted something that elevated me to the next level.”

DeeAnn’s Upcoming Album — A Fusion of Genres and Personal Tributes

The release of “Simply Beautiful” is just a preview of what’s to come on DeeAnn’s upcoming, as-yet-untitled album. The album will feature a blend of Straight-ahead Jazz, Smooth Jazz, R&B, Soul, and Neo-Soul, capturing DeeAnn’s unique musical style while showcasing her growth as an artist. The collection will also pay tribute to the three most important people she has lost in recent years: her son, her brother, and her father.

One of the standout tracks on the album is “Sing To Me,” a song DeeAnn co-wrote with Perlman. A perfect reflection of her romantic, hopeful spirit, the track explores themes of love and longing—a recurring theme in DeeAnn’s heartfelt discography.

“My ability to stay hopeful, even after such profound loss, comes from my deep faith in God,” DeeAnn shares. “Music has always been my therapy, and this album is my way of honoring those I've lost, while also celebrating the love I’ve found in the process.”

What’s Next for DeeAnn in 2025

As DeeAnn’s momentum continues to build in 2025, her fans can look forward to more soulful music and inspiring performances. With her unmistakable voice, unwavering optimism, and dedication to her craft, DeeAnn is poised to make 2025 a landmark year in her musical career.

Stay tuned for more updates on DeeAnn's upcoming album and her ongoing journey as one of the most versatile and captivating vocalists in the industry.

Drummer/Composer Phil Haynes Explores Past and Future in Two Bold New Albums, Reuniting with the Electric Guitar

Return to Electric and Transition(s) to Be Released on April 21, 2025, via Corner Store Jazz

"Since arriving in New York from Oregon in 1983, drummer Phil Haynes established himself as a potent force on the downtown composer/improviser scene.” — Bill Milkowski, JazzTimes

For over four decades, Phil Haynes has been at the forefront of jazz, continuously moving forward while exploring new creative horizons. This forward momentum is evident in his two exciting new albums, Return to Electric and Transition(s), set to release on April 21, 2025, via his own Corner Store Jazz label. Both albums feature Haynes’ return to the electric guitar, reconnecting with his roots and musical influences from his early days in New York.

A Return to the Electric Guitar

Haynes’ journey as a drummer and composer has always been driven by exploration, but his latest projects reflect a deeper connection to his musical past. Reuniting with the electric guitar—a sound that shaped his youth—Return to Electric and Transition(s) both take Haynes back to a genre that initially inspired him: fusion and improvised music. These albums capture his distinctive voice while looking to both the past and the future of jazz.

"I marinated in the iconic electric guitar sounds of B.B. King, Jimi Hendrix, the British Invasion, and jazz legends like Wes Montgomery and John McLaughlin," Haynes recalls. After moving away from New York over 20 years ago, Haynes felt the loss of collaborating with some of his favorite guitarists. Return to Electric and Transition(s) remedy that gap, reconnecting him with longtime collaborators Steve Salerno and Ben Monder.

Return to Electric: Fusion Classics and Bold Originals

Return to Electric sees Haynes delve into the heart of early fusion music, embracing the experimental spirit of artists like Wayne Shorter, Chick Corea, and Mahavishnu Orchestra. Haynes notes, "I was always attracted to the edgy, experimental side of fusion, not its commercial heyday. Recording this album felt like a victory, reclaiming that visceral, full-force energy."

Joined by guitarist Steve Salerno and bassist Drew Gress, Haynes tackles fusion classics alongside original compositions and a set of improvised "Cadenzas" by each member. The album captures the trio’s vibrant, energetic sound, offering a fresh take on familiar pieces while showcasing Haynes’ growth as an artist over decades of playing and composing.

Transition(s): A Long-Awaited Reunion with Ben Monder

Transition(s) marks a long-overdue collaboration between Haynes and guitarist Ben Monder, whom he first worked with during his early days in New York. The two musicians hadn’t recorded together in over 25 years, and Transition(s) is their first meeting on record. The duo revisits the spirit of John Coltrane's "Transition", which was a staple of their jam sessions in the past, while also exploring a range of textures, from atmospheric moods to urgent, lyrical passages. The results are a captivating blend of spontaneity and thoughtfulness.

Haynes reflects on their reunion, "When we played together again, there was an ease to it. We both realized that we’ve been on the right path all along, and now we could see how far we’ve come."

A Tribute to Musical Mentors

Both albums serve as tributes to the musicians who helped shape Haynes’ career. Return to Electric is dedicated to Paul Smoker, the trumpeter who brought together Haynes, Salerno, and Gress. Transition(s) is dedicated to the late Herb Robertson, a close collaborator who passed away in December 2024, just as these projects were nearing completion.

Track Highlights from Return to Electric and Transition(s):

• “Return to Electric”: A high-energy fusion exploration, featuring Salerno and Gress, blending both classic and original tunes.

• “Transition(s)”: A sparse, atmospheric track that explores mood and tension, offering a deeply introspective experience.

• “Cadenzas”: Three improvised solo sections by Haynes, Salerno, and Gress, showcasing their individual voices.

• “I Fall In Love Too Easily”: A surprising standard that emerges spontaneously during the recording of Transition(s), showing the duo’s fluid creativity.

Release Information:

• Album Titles: Return to Electric and Transition(s)

• Artist: Phil Haynes

• Release Date: April 21, 2025

• Label: Corner Store Jazz

• Catalog Numbers: CSJ 0148 (Transition(s)) / CSJ 0149 (Return to Electric)

• Recorded: December 12-13, 2023 (Transition(s)), September 26-27, 2024 (Return to Electric)

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